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Ballet Luminary Matthew Ball on Grueling Parts and Online Attention: 'I Don't Feel Protective About My Body'

Within the quiet ambiance of a lounge near London's Royal Ballet, Matthew Ball requests a mint tea. The dancer's carriage is naturally upright, his limbs muscular beneath a plain tee. During performances, ballet dancers can seem like mighty deities, yet often in person they are petite. Not so Ball, whose tall stature is part of his demand for princely characters and partnering. With fine features and intense eyes, there's a hint of a brooding actor about him.

A Seamless Rise to the Top

At 31, Ball is enjoying the crest of a career that has progressed seamlessly. Growing up in Liverpool, he faced little teasing for his childhood passion in ballet. Joining the esteemed training institution at 11, he graduated directly into the troupe and was promoted each year, attaining the top rank of lead dancer in 2018. He has loved tackling meaty characters, particularly the emotional angst found in a famed choreographer's ballets.

"Your lungs are burning, your legs get heavy, but it’s really a mental fatigue."

His next starring role is as himself, in an "Evening With" series aiming to offer behind-the-scenes insights into a dancer's craft. He will walk the audience through a part, demonstrating his mental process while execution. Even in lighter ballets, the challenge is significant. "Don Quixote is one of the toughest from a skill perspective," he states.

The Psychological Game and After the Show Feelings

What about after a show, when he has pulled it off? "It's pretty good," he admits. "However because I'm trying to squeeze all the emotion out of it, and get immersed in the role, frequently I do feel self-conscious afterwards. After Mayerling I'm always like: Wow, what must people think?"

Offstage, Ball is thoughtful, polite, and quick to laugh at himself. Yet a choreographer once remarked on a "sense of suffering in him." Is there? "I am very energetic usually, but I do have a dark side," he confesses. "I kind of enjoy negativity sometimes. I've always felt that negativity has been an catalyst for positive change."

Early Motivations and Creative Inspirations

His determination stemmed from youthful experiences. Not excelling in contests at school made him "driven!" This became fuel to prove he could succeed. Discovering the book *Mao's Last Dancer* was a "pivotal" moment. "It changed everything, it made me go a bit obsessive," he remembers.

The next endeavor is creating his own dance works. For Ball, "there's nothing wrong with." "Challenging the conventions is compelling, but just pretending that they’re not a thing any more – I don’t know how far you can go with that." He aims his work to be loaded with meaning, drawing inspiration from books, music, and art.

Close-Up Performance and Personal Partnership

He additionally favors staging dance in more intimate venues. "It was just really thrilling," he says of a past experience. "You’re so close to the audience. I felt as if they were realizing: 'That’s a person, and they’re sweating.'"

Ball has made duets with his girlfriend, fellow lead dancer Mayara Magri. The degree of faith between them is evident. "We tried it out on the beach first," he says of a daring lift. "It was like Dirty Dancing." They aren’t typically matched on stage at their home company, which is perhaps beneficial. "We’re both quite determined people, so it’s not always smooth sailing," he admits. "But I feel like we’re each other’s biggest cheerleader."

On Social Media and Physical Image

On Instagram, followers can see clips from his dance films and photos that showcase a athletic form. Does he mind that the engagement can be a bit objectifying? Not really. "The body is just what we use, so I don’t feel very protective about it," he states. He compares it to viewing Michelangelo’s David—something that can be seen on various levels.

Ball describes his younger self as "desperate for success." Has it lived up to his expectations? "I feel very aware of how life is a separate reality to the aspirations you had as a young person," he muses. He probably has another decade of performing ahead. "I guess in the time to come, I want to be a bit more kind with myself."

About the author

John Ross

A software engineer passionate about open-source projects and modern web technologies, with over 8 years of industry experience.

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